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Some of the oboe playing tricks
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- Time of issue:2021-09-20
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(Summary description)Some of the oboe playing tricks
Some of the oboe playing tricks
(Summary description)Some of the oboe playing tricks
- Categories:News
- Author:
- Origin:
- Time of issue:2021-09-20
- Views:0
Some of the oboe playing tricks The oboe is a wooden pipe instrument with pastoral or pastoral flavor, its sweet and pure sound quality, very distinctive timbre, beautiful timbre with a little nasal sound, and very expressive, breathtaking and enthusiastic.The more the oboe is purely melodic in its own vocal, the more it prefers to reject skilled play.The oboe blowing technique is the finger: responsible for keys, breathing: Like other pipe music, playing the oboe must use abdominal breathing and control the air pressure through the abdomen; the abdomen is also an important control part of the trebrato (Vibrato) effect.Lips: Before playing, the upper and lower lips must be covered with upper and lower teeth, the lips should be small "O" -shaped and containing a reed, the muscles around the lips must relax, but it must avoid air leakage when blowing.Adjust the tone through the pressure applied on the upper and lower lip and the muscles around the lips: the pressure is high and harsh; the pressure is too strong will be rounded but low, with enough pressure to correct the pitch.Teeth: because the reed is very fragile, to avoid damage, teeth have no contact with the reed, must be wrapped; the teeth can assist the lips to control the pressure of the reed to adjust the tone.Tongue and throat: match breathing and abdominal muscles, and gently contact the reed through the tongue to control breaking and jumping (Staccato); more throat coordination to control airflow when playing faster works.Learners must practice repeatedly to exercise the coordination of the above parts; some muscles (e. g., lips, tongue, throat) control is more unconventional, making the coordination harder to achieve and the oboe a difficult instrument to operate.Beginners must avoid the bad habits caused by wrong practice, so the intentional oboe must guide a fairly experienced player to develop the correct blowing skills and habits.
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